Archive for January, 2017
Working with a prospective client recently, a recurring idea in building design came up – the notion of wasting space.
It’s a term designers and clients frequently use, but also one we don’t always consider carefully. Today, I want to provide a framework for thinking about wasted space in design efforts of all kinds, and to highlight two important and common ways of wasting space in building design. In their essence, these two ways are creating space that is either too full or too empty. And by avoiding each extreme, we can reliably avoid wasting both space and time.
In the client discussion I mentioned, we were considering two design ideas for a project. The designs each had the same enclosed floor area and basic plan, but differed somewhat in the amount of garden space and walkways around the living areas. Overall, the first design was slightly more compact in its total dimensions and the second had a somewhat larger total footprint, owing to the expanded garden and walkway areas. But all other things were equal, and the two designs had identical interior proportions. So, is it correct to say that the larger plan had more wasted space?
Enormous, Luxuriant Space – How Much Of It Is Wasted?
The first design clearly used less space and in this sense was more efficient or compact. Similarly, the second design can be seen as using space less efficiently, or as containing more unused or unfilled space. But the second design was also more compelling and livable, and felt much larger and more open than its modestly greater dimensions might have suggested. One might argue, then, that the second design was a better use of space – especially if both designs were affordable or within budget, which they were in this case.
These considerations point to two fundamental, sometimes competing, but not mutually exclusive goals in spatial design – the task of achieving adequate efficiency or compactness and then sufficient elegance or extension. Both goals are integral to excellence in natural design, and arise again and again in a variety of creative and artistic domains (for example, even in the non-visual arts of music and writing). In total, ensuring both efficiency and elegance is a challenge we all must often repeatedly address and resolve, if we are to design and create successfully.
As my sunset photo above suggests, in an important sense space is never wholly wasted if it is elegant. And the 150 million kilometers of extension that lie between us and the sun are hardly wasted space, even in strict utilitarian terms, since the earth would warm and life would be curtailed if this distance were much less. More artistically, our solar system and larger universe likely would be far less elegant – or less mysterious and intriguing – if either were tightly compact and plainer to the eye.
Still, efficiency considerations are a natural concern in design, art, and fabrication, since all uses of space and other resources have costs and alternatives, and never only provide benefits. At the same time, there is a certain marvel with or satisfaction in the efficient or dense use of space, though this is rarely enough to be a substitute for true elegance in design (again, with useful analogies in music, writing, and other artistic domains).
But just as the single-minded pursuit of elegance can overlook or miss efficiency considerations, a preoccupation with design efficiency can unduly, and often needlessly, impinge on essential design elegance. In practice, both inadequate efficiency and insufficient elegance are reliable ways to reduce natural excellence in design and to waste space. And both shortcomings are likely to occur whenever designers, builders, or clients act inattentively, or without an essential understanding of these twin natural needs when creating.
To demonstrate these ideas, and to make them more tangible and applicable, below are three brief case studies. Each explores and underscores the importance of meeting the essential natural design goals of efficiency and elegance. And each suggests that this process involves striking a balance – or what I have elsewhere called a natural centering, or the avoidance of limiting extremes – in this case between excessive compactness and openness, clutter and emptiness, or expedience and extravagance. In these and many other cases, excesses in either direction can be understood as generally wasting space, and reliably produce designs below our potential. Read the rest of this entry »